Leo Gorcey as Slip and Huntz Hall as Sach. |
This was the script voters meant to nominate. |
Bernds and Ullman contacted the Academy of Motion Pictures Arts and Sciences and graciously acknowledged that they were nominated by mistake. However, the Academy's rules prohibited replacing them with another writer. Therefore, if you look up the 1956 nominees for Best Writing (Motion Picture Story) on the official Oscar website, you'll see this blurb alongside the accidental nomination:
NOTE: THIS IS NOT AN OFFICIAL NOMINATION. Edward Bernds and Elwood Ullman, the authors of this Bowery Boys quickie, respectfully withdrew their own names and the nomination, aware that voters had probably mistaken their film with a 1956 MGM release with the same title written by John Patrick and starring Bing Crosby, Grace Kelly and Frank Sinatra. (Even so, MGM's High Society would only have been eligible for adapted screenplay.)
The last line of that paragraph shows the magnitude of the error: the 1956 High Society was not an original work. It was based, of course, on Philip Barry's stage play The Philadelphia Story, which was adapted for the screen in 1940.
Frankly, 1956 was an embarrassing year for the Oscars, especially in the Best Writing (Motion Picture Story) category. The winner was a mysterious screenwriter named Robert Rich for The Brave One. Never heard of him? Well, the Oscar website clears up his identity with this note:
NOTE: The name of the writer credited with authorship, Robert Rich, turned out to be an alias. Two decades later, the mystery was officially solved and the Academy statuette went (on May 2, 1975, presented by then Academy president Walter Mirisch) to its rightful owner, screenwriter Dalton Trumbo, blacklisted in 1956 by the industry for political affiliations. Robert Rich (who had nothing to do with the film industry) is a nephew of the King Brothers, producers of the film. They chose his name to be the alias for Dalton Trumbo on the screenplay.
For the record, the Bowery Boys' High Society was one of the last films in the series, but it is also considered to be among their best. The plot has Sach (Huntz Hall) learning that he's the heir to a family fortune--although he and Slip discover a young boy is the rightful recipient.
As for writers Edward Bernds and Elwood Ullman, they were never nominated for an Oscar again. Still, Bernds, who also directed, became a favorite among science fiction fans for penning 1950s cult classics World Without End (1956), Return of the Fly (1958), and Queen of Outer Space (1959). He was even interviewed in Tom Weaver's entertaining book Interviews with B Science Fiction and Horror Movie Makers.
Bernds teamed frequently with Ullman, with their best known collaboration being the Elvis Presley musical Tickle Me (1965). Still, Ullman is best known as a writer for The Three Stooges. Wouldn't it have been cool if they had shown up to support him at the Oscar ceremony?
NOTE: THIS IS NOT AN OFFICIAL NOMINATION. Edward Bernds and Elwood Ullman, the authors of this Bowery Boys quickie, respectfully withdrew their own names and the nomination, aware that voters had probably mistaken their film with a 1956 MGM release with the same title written by John Patrick and starring Bing Crosby, Grace Kelly and Frank Sinatra. (Even so, MGM's High Society would only have been eligible for adapted screenplay.)
The last line of that paragraph shows the magnitude of the error: the 1956 High Society was not an original work. It was based, of course, on Philip Barry's stage play The Philadelphia Story, which was adapted for the screen in 1940.
NOTE: The name of the writer credited with authorship, Robert Rich, turned out to be an alias. Two decades later, the mystery was officially solved and the Academy statuette went (on May 2, 1975, presented by then Academy president Walter Mirisch) to its rightful owner, screenwriter Dalton Trumbo, blacklisted in 1956 by the industry for political affiliations. Robert Rich (who had nothing to do with the film industry) is a nephew of the King Brothers, producers of the film. They chose his name to be the alias for Dalton Trumbo on the screenplay.
This was the script that was nominated. |
As for writers Edward Bernds and Elwood Ullman, they were never nominated for an Oscar again. Still, Bernds, who also directed, became a favorite among science fiction fans for penning 1950s cult classics World Without End (1956), Return of the Fly (1958), and Queen of Outer Space (1959). He was even interviewed in Tom Weaver's entertaining book Interviews with B Science Fiction and Horror Movie Makers.
Bernds teamed frequently with Ullman, with their best known collaboration being the Elvis Presley musical Tickle Me (1965). Still, Ullman is best known as a writer for The Three Stooges. Wouldn't it have been cool if they had shown up to support him at the Oscar ceremony?
King of the Zombies '41, was nominated for best score. This one seems to be legit.
ReplyDeleteThis is such an interesting tidbit of information! Love this kind of stuff.
ReplyDeleteOne of your wildest entries ever. I loved it. Thanks very much.
ReplyDeleteGlad everyone enjoyed it. It was an interesting story to comecscross when researching the Crosby-Kelly-Sinatra film.
ReplyDeleteActually, it was the Three Stooges who brought Elwood Ullman and Edward Bernds together in the first place.
ReplyDeleteBernds was a film editor at Columbia, working on Stooges shorts, and so became acquainted with long-time writer Ullman.
When Bernds began to direct, Ullman was his collaborator on the scripts; the two men worked so well together that they decided to keep the team going after Columbia cut the budgets and let them go.
The Bowery Boys were a more-or-less natural progression (only missing a Larry figure). Later on, many have seen Moe-like qualities in some of Elvis's characters in those pictures.
Evolution, Hollywood-style.
I've always loved this particular Hollywood anecdote. Thanks for sharing it.
ReplyDeleteNo way! I had no idea this Bowery Boys' movie was "nominated" for an Oscar. Great stuff!
ReplyDeleteRick, that is a fascinating tidbit of Oscar history, I must admit to having a guilty pleasure fascination with the Bowery Boys. There films are truly those that are so bad, they're good, at least in small doses.
ReplyDeleteFascinating story and one of the reasons I truly love your blog!
ReplyDelete