Diane McBain as Claudelle Inglish. |
Diane McBain and Chad Everett. |
Claudelle's mother (Constance Ford) wants her daughter to marry the much older S.T. Crawford (Claude Akin), a widower and wealthy property owner. However, Claudelle becomes smitten with Linn and it's not long before she gives in to his manly desires. They become engaged, but decide to wait to marry until after Linn serves his two-year Army hitch.
Alas, one day Claudelle receives a letter in which Linn confesses that he has fallen in love with someone else. At first, Claudelle is devastated, but eventually she decides to get even by making herself available to every man to the county. Despite pleas from her parents, she cannot stop herself from traveling down the road to self-destruction.
The provocative poster. |
Rather, it's the poor girl's way of coping with low self-esteem. More than once, Claudelle tells people that she never plans to marry. She doesn't think she's worthy of it. She shows no interest in even trying to find happiness. When one of her beaus, who wants to marry her, gets into a fight with a "bad boy" (named Rip, of course), Claudelle jilts the nice guy and goes off with Rip.
Will Hutchins, Robert Colbert, and McBain. |
The production values aren't as high as Warner's other teen soaps. Thus, there's no plush color scenery (A Summer Place and Susan Slade) and no fabulous Max Steiner score (although Howard Jackson contributes a respectable soundtrack). Interestingly, the prolific costume designer Howard Shoup earned the third of his five Oscar nominations for Best Costume Design (Black & White) for Claudelle Inglish. He never won an Oscar.
Still, the primary reason to see Claudelle Inglish is for Diane McBain's performance. Sadly, it was probably the highlight of her acting career. Her Warner Bros. contract kept her mostly confined to TV series appearances. When it ended in the mid-1960s, she failed to land any juicy film roles and ended up in "B" pictures like The Mini-Skirt Mob (1968).
I'm not at all familiar with Diane McBain's work, so this sounds like the perfect place to start. Thanks!
ReplyDeleteThe B/W photography definitely pegs this as a lower rung entry in the soap sweepstakes of the 60's but the film is still a great deal of melodramatic fun. Constance Ford does her harridan mother bit that she played so well. I'm always happy to see Arthur Kennedy turn up in a movie and this is no exception, it's a bit odd to see he & Connie Ford playing spouses after A Summer Place though.
ReplyDeleteBut the real anchor of the film is Diane McBain and her committed performance. It is puzzling that Warners didn't do more with her, she was certainly a better actress than some they were pushing at the time, for example Connie Stevens. I've seen her in other things but outside of this my main familiarity with her is from her sly performance as Barry Nelson's fiancee Tiffany in the Debbie Reynolds film Mary, Mary. It's quite a change up from this and it helps shows her variety.
Great observations, Joel. I've never seen MARY, MARY--but have now added to my "want-to-see" list.
DeleteWhy would you think that black and white photography is connected to B movies? Black and white was a director's choice. It wasn't cheaper than color to make. Some great films have been made in 'scope black and white. This film looks great.
ReplyDeleteBlack and white films were cheaper than color until the mid-1960s. This isn’t a case of a later film like The Last Picture Show, in which Bogdanovich intentionally chose to film it in black and white.
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