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Mandy Miller as Mandy. |
Mandy (aka Crash of Silence) (1952). The lives of Christine and Harry Garland are thrown into turmoil when they discover that their young daughter, Mandy, is congenitally deaf. The parents grapple with their own misconceptions and differing views on how to best support Mandy. Should she be kept at home for private tutoring, as her grandparents suggest, or placed in a school with other deaf children? The tension between the parents, fueled by suspicions of an affair, add emotional weight to the narrative. The first-rate British cast shines all around. Phyllis Calvert and Terence Morgan capture the parents’ emotional struggles as they try to determine if their actions reflect what they want or what their daughter Mandy needs. Jack Hawkins shines as an instructor at the deaf school, whose intense focus on his students puts him at odds with an influential member of the school's board. Finally, there is the young actress Mandy Miller (who was not deaf in real life), who plays Mandy. With very limited dialogue, she expresses the young girl's loneliness, confusion, and frustration, especially when placed in the boarding school and separated from her family. (Incidentally, that's Jane Asher--Paul McCartney's one-time girlfriend--as Mandy's eventual friend at school.) Director Alexander Mackendrick, best known for his Ealing comedies and the noirish
Sweet Smell of Success (1957),
deserves praise for sensitively portraying Mandy’s world. Through her eyes, we witness the challenges of communication, isolation, and the desire to connect with others. (You can stream
Mandy for free on the
Million Dollar Movie Classics channel.)
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Fergus McClelland and Edward G. Robinson. |
A Boy Ten Feet Tall (aka Sammy Going South) (1963). Another Alexander Mackendrick film with a young protagonist,
A Boy Ten Feet Tall focuses on ten-year-old Sammy Hartland. After his parents are killed during the Suez Crisis in 1956, Sammy embarks on an epic journey from Egypt to South Africa. Armed with only a toy compass and the knowledge that his goal to is to travel south, Sammy sets out to find his aunt in Durban. He encounters a variety of characters along the way, including: a Syrian nomad who hopes to profit off Sammy; a well-meaning American tourist; and a kind-hearted diamond smuggler. Despite the immense challenges he faces, including the loss of his parents and the daunting task of traveling across a continent, Sammy remains determined and resourceful. His character evolves from a vulnerable child into a strong and independent young boy, showcasing his inner strength and adaptability. Newcomer Fergus McClelland makes a likable lead, but Edward G. Robinson delivers the film's standout performance as Cocky Wainwright, the diamond smuggler who temporarily becomes Sammy’s surrogate father. Robinson brings warmth and subtle compassion to the role, creating a character that is both gruff and endearing. Director Mackendrick masterfully allows the audience to see the events through Sammy’s eyes, much as he did with the young protagonist in
Mandy. This perspective ensures that the film remains focused on Sammy’s emotional journey, making it a poignant and engaging--if episodic--adventure. The mostly on-location shooting brings a raw, realistic quality to the film, highlighting the vastness and beauty of the African continent. This review is based on the 118-minute cut of
A Boy Ten Feet Tall, which you can view stream for free on the
Million Dollar Movie Classics channel. The original 129-minute version is believed to be lost. An 88-minute version was released to theaters in the U.S. in the 1960s.
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